and Alan Lomax have given me permission to quote from unpublished manuscripts of .. culture” (Merriam, ), but it is important that this definition be Le g^nealogie des instruments de musique et les cycles de civilisation. Archives. Alan Parkhurst Merriam (1 November – 14 March ) was an American cultural anthropologist and ethnomusicologist. He is known for his studies of. Antropologia della musica by Alan P. Merriam, , available at Book Depository with free delivery worldwide.

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This page was last edited on 2 Decemberat Along with the musicology school, these two factions of ethnomusicology make up a large population in the world of ethnomusicology and they are often at odds.

This definition of ethnomusicology comes in response to a number of other important ethnomusicology authors, such as Musics Kunst, who defined ethnomusicology via the types of music studied in the field. His father was the Chairman of the English department at Montana State University, and his mother was a highly skilled cellist.

Due to its nature as a field at the intersection of several disciplines, ethnomusicology takes on many forms and is viewed through many lenses, highly dependent on the goals and background of the ethnomusicologist. Views Read Edit View history.

Alan P. Merriam

He is known for his studies of music in Native America and Africa. This definition embodies the purpose of the entirety of The Anthropology of Music, being that ethnomusicology is not weighed merriak in favor of the ethnological or musicological, but instead an inseparable amalgamation of the two.

Our science, therefore, investigates all tribal and folk music and every kind of non-Western art music. Thirty-One Issues and Concepts A member of the musicology school of ethnomusicology, Hood was known for initiating an important ethnomusicology graduate program at UCLA. I do not deny the contribution of such a specialist in the past, nor in the future, but his role is becoming progressively smaller, and rightly so, for method and theory are inseparable in the gathering of data, and the descriptive phase of our study in which we treat simply structural facts is giving way before the broader interpretations.


Merriam is characterized by a drive to solve relevant problems using data gathered in the field hands-on. This simplified model was used by Rice as a foil to the method he was proposing, consistently referencing how his model furthered things accomplished by the Merriam model.

Antropologia della musica : Alan P. Merriam :

The New York Times. He undertook extensive field research antropooogia the Flathead Indians of Montana in for his PhD and again in An individual that stood as a foil to him was his fellow ethnomusicologist, Mantle Hood. Born to a highly musical household in Missoula, Montana, Merriam began studying piano and clarinet at a young age. Merriam divides his stated goals of ethnomusicology into three different approaches, the first being the appreciation of the music of other cultures.

In his own writings, he emphasizes the application of data gathered in the field to solving relevant musical problems and how such application is motivated by the approach and goal of the researcher. His program emphasized learning to listen and hear without prejudice or ethnocentricity, rhythmic and tonal fluency outside of the Western tradition, and performance experience in non-Western vocal and instrumental performance with the last being what his program is most known for.

During his younger years, Merriam performed in numerous school bands and local dance orchestras. He edited the Newsletter of the Society for Ethnomusicology meerriam toand he edited the journal Ethnomusicology from to Ethnomusicologists American anthropologists American Africanists births deaths People from Missoula, Montana Victims of aviation accidents or incidents in Poland Guggenheim Fellows 20th-century musicologists.


Thirty-One Issues and Concepts, On People Changing Their Music. Merriam’s initial work was based on fieldwork carried out in his native Montana and central Africa.

Another anhropologia of ethnomusicology which Merriam sought to make clear in The Anthropology of Music is the overarching goal of the field of ethnomusicology. A Discussion and Definition of the Field. From Wikipedia, the free encyclopedia. Merriam claims the goals of ethnomusicology cannot be realized by considering music to be an object separate from the humans which make it, and therefore argues for the sake of an anthropology of music.

Many ethnomusicologists, Merriam asserts, are under the impression that the music of many non-western cultures are either abused or neglected, and that they are worthy of appreciation in western society the same way western music is appreciated. By using this site, you agree to the Terms of Use and Meriram Policy.


antropologa Merriam had, like all ethnomusicologists, completed fieldwork in his area of interest, but he was characterized by his peers in ethnomusicology as being more scientific and focusing qlan drawing conclusion from data.

The purpose of this book is to create a better understanding of the anthropological aspects of music, defining ethnomusicology as not the study of the music of non-western cultures, but instead as the study of the relationship which music bears to society.