Gerald Finzi. Bagatelles (5) for clarinet & piano, Op. Composition Information ↓; Description ↓; Parts/Movements ↓; Appears On ↓. Share on. facebook. : Five Bagatelles, Op. Clarinet in B-flat and Piano with online audio of performance and (): Gerald Finzi: Books. A staple of standard clarinet literature, this suite appears on various state high school contest solo repertory lists. Contents: I. Prelude · II. Romance · III. Carol · IV.

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While I love music, I am completely ignorant of the inner workings and structure. Sexy Trippy All Moods. His ashes were scattered on May Hill near Gloucester in Large-scale compositions by Finzi include the cantata Dies natalis for solo voice and string orchestra, and his concertos for cello and clarinet.

Infollowing an excursion near Gloucester with Vaughan WilliamsFinzi developed shinglesprobably as a result of immune suppression caused by Hodgkin’s disease. The Reed Of Pan: Please help to improve this article by introducing more precise citations. The final movement, Fughetta, is vigorous and witty, if not a textbook model of counterpoint. Gramophone’s expert reviews easier than ever before.

Bagatelles (5) for clarinet &… | Details | AllMusic

This movement remains in the key of Bb major concert C from start to finish. The last piece, Fughetta, well what can i say!!

Inat the suggestion of Adrian BoultFinzi took a course in counterpoint with R. Clarinet Concerto; 3 Intermezzi. This page was last edited on 24 Novemberat Fughetta Approximate duration is 14 minutes. Finzi never felt at home in the city and, having married the artist Joyce Blacksettled with her in AldbourneWiltshirewhere he devoted himself to composing and apple-growing, saving a number of rare English apple varieties from extinction.


More by Gerald Finzi

Finzi’s younger son Nigel was a successful violinist, and bagayelles closely with their mother in promoting his father’s music.

Includes separate piano accompaniment sheet.

The Carol is the easiest movement of the Five Bagatellesthough it still has an interesting meter: Among his other songs, the settings of Shakespeare poems in the cycle Let Us Garlands Bring are the best known. Boydell Press,p. Click on a grade to view the full syllabus. You may find that the melodies in the slower movements of the Five Bagatelles lend themselves well to singing.

Bagatelles (5) for clarinet & piano, Op. 23

Britten, Mathias, Finzi, Cooke. Gramophone products and those of specially selected partners from the world of music.

It begins in a marcato style and explores a fairly wide range of the clarinet in the first phrase alone. This distinctive suite of short movements is now a cornerstone of the clarinet repertoire for players of all ages. Your passion and knowledge combined will be an asset to those seeking your niche.

The Essential Emma Johnson. He also explores plenty of key signatures and meters.

FINZI Five Bagatelles. Diabelleries. Interlude |

Rainy Day Relaxation Road Trip. Introspection Late Night Partying. Clarinet Concerto; 5 Bagatelles; Charles Stanford: University of St Andrews. It’s a fitting conclusion to a suite of pieces that are light and charming, but not at all trivial.


This was never finished or given a title, but after his death his publisher gave two of the individual movements names and published them as the separate works Eclogue and Grand Fantasia and Toccata.

The B section is approached with a ritardando moltofollowed by a change of both the key and the meter. In the Finzis moved to Ashmansworth in Hampshirewhere he founded the Newbury String Playersan amateur chamber orchestra which he conducted until his death, reviving eighteenth century string music as well as giving premieres of works by his contemporaries, and offering chances of performance for talented young musicians such as Julian Bream and Kenneth Leighton.

There would be no reason to alternate the count, as the double time signature seems to indicate; I believe that the meter is given in two interpretations. There also exists a later arrangement for clarinet and string orchestra by Lawrence Ashmore. In the poetry of Hardy, Traherne, and later William WordsworthFinzi was attracted by the recurrent motif of the innocence of childhood corrupted by adult experience.